AI Prompt Library

Create a 30-second, 4:3 horizontal aspect ratio, highly realistic personal fitness Vlog that captures the feel of a friend casually recording a daily workout with a early-2000s home DV camcorder. It is not a fitness ad or a polished cinematic short. The 30 seconds is an edited summary of the fitness process, connecting leaving home, preparation, training, and ending through natural jump cuts; do not rush the character to complete everything in 30 seconds, and do not use speed-ups. [Character & Clothing] Use the uploaded full-body image of the person in grey sportswear [@Image1] as the sole character reference. The protagonist is the adult female from the reference image, strictly maintaining her facial features, face shape, eyes, nose, lips, thin-framed glasses, hairline, and overall age appearance. She must remain the same person from different angles, during exercise, speaking, and smiling; she cannot become another similar-looking face. The reference image is only used to determine identity, clothing, and body appearance; do not reuse the white studio background or the fixed standing pose from the original image. The character has a natural, healthy fitness physique with moderate muscle definition in shoulders, arms, waist, abdomen, and legs, showing real muscle contraction and stable body control during movement. Maintain the overall height and body proportions from the reference image; do not exaggerate muscles, overly cinch the waist, or lengthen legs. Keep skin fair and delicate but with natural texture; slight redness may appear after exercise, but no excessive smoothing or plastic look. Wear the same set of sportswear from the reference image throughout: heather grey wide-neck short-sleeve T-shirt with the neckline naturally tilted, exposing her right shoulder (left side of the frame when facing front); the hem tied at the same-side waist forming a cropped style exposing the waist/abdomen, keeping the original pink-purple print on the chest; underneath is a pink-purple thin-strapped sports bra with straps and edges naturally visible; bottom wears heather grey high-waisted tight sports shorts, paired with white ribbed mid-calf sports socks and the same white lace-up sneakers as in the reference image. Clothes should have real wrinkles and slight displacement due to movement, but cannot change style, color, material, knot position, or exposed shoulder direction. Do not change into black tops, long leggings, blue socks, or boots. When leaving, keep the loose black long hair from the reference; tie it into a ponytail by hand before entering the gym, then maintain the same ponytail throughout, keeping natural bangs and sideburns; do not suddenly change bangs or hair volume. Glasses are worn throughout, maintaining reasonable position during exercise. Props are fixed: a small black gym bag, a transparent water bottle with a white cap, and a small white towel; do not change their appearance across shots. [Shot Flow] 0–3s | Going to nearby gym. Quiet community street, natural daylight. Friend films from her side-front while walking; she wears the aforementioned grey sportswear, carrying a small black gym bag on one shoulder, walking towards the nearby gym. Black long hair sways gently with steps. She briefly looks at the camera with a natural small smile, then continues looking at the road, not posing deliberately. Camera has slight undulation from walking, composition slightly off, like casual recording. 3–6s | Tying hair. Stops near gym entrance, side medium close-up. She raises hands to gather long hair, ties it into a neat ponytail with a black hair tie, then adjusts glasses and bag strap. Natural jump cuts may skip part of the tying process, but viewers must see the actual action from loose hair to ponytail; hairstyle cannot change magically. Movements are relaxed and skilled, contact between fingers and hair is realistic. 6–9s | Putting things down, simple warm-up. Cut to ordinary community gym, black rubber floor, dumbbell rack, bench, wall mirrors, environment realistic with traces of life usage, not luxurious empty commercial studio. She places black gym bag next to bench against wall, puts water bottle and white towel on one end of bench. Natural jump cut to her lightly moving shoulders, stretching arms, adjusting breathing. Camera feels like friend shooting casually from side, not deliberately showcasing body. 9–15s | Simple strength training. Two normal-speed training clips: first film her doing light dumbbell curls, fully presenting smooth lift, brief pause, controlled lowering; shoulders don't shake wildly, palms grip dumbbells realistically, arms show natural muscle lines with effort; then cut to side-front medium-full shot filming her completing one bodyweight squat, from standing to squatting and back up stably, feet contact ground, knee and hip movement reasonable, torso stable. She focuses on breathing, exhales softly when exerting force, doesn't pose for fitness camera. Sportswear shows natural stretch and wrinkles, ponytail swings slightly with movements. 15–20s | Treadmill jogging. Side-front handheld medium shot, she jogs easily on treadmill, stride moderate, left and right feet alternately contact belt, arms swing naturally, ponytail sways rhythmically with steps. Breathing becomes slightly heavier, small amount of sweat appears gradually on forehead, nose wings, and neck sides, not suddenly soaking wet. She glances at camera, smiles lightly with expression tired yet amused. Then natural cut to treadmill slowing/stopping, she confirms stability before stepping down, does not jump off running belt. 20–25s | Drinking water, wiping sweat. Returns to same bench, unscrews same water bottle, takes two small sips, then presses small white towel gently on forehead and neck sides. Towel has real contact and occlusion with skin, does not pass through glasses, does not wipe away all sweat directly. She accidentally sees sweaty self in mirror, laughs lightly, a real relaxed reaction after exercise, not exaggerated acting. Reflection's actions, clothing, and position must accurately correspond to person. 25–30s | Done working out. Sits on bench, breathing still slightly rapid, shoulders rising/falling with breath, holding towel. Friend brings camera closer, she looks up at camera, says naturally in Chinese tone with smile: "Today's workout felt pretty good!" Voice carries post-exercise breath, mouth shapes accurate, ends with light laugh. Finally natural cut to her carrying same black gym bag towards exit, ponytail swinging lightly, camera follows half-beat slow, ending in lifelike action, no advertising freeze-frame. [Photography & Visual Quality] Entire segment presents early-2000s consumer MiniDV recording quality: slight handheld shake, imperfect composition, occasional delayed follow-focus, slight autofocus search, brief exposure/white balance changes when moving outdoors to indoors, soft digital details, slight shadow noise, normal motion blur, and one unskilled small zoom. These flaws should be restrained and random, not every shot intentionally out-of-focus or violently shaking. Character's face always clear enough to recognize same person from reference. Primarily eye-level medium shots, medium-full shots, and natural facial close-ups; training shots retain necessary body/equipment info, no deliberate close-ups on chest/buttocks. No stabilizer-smooth moves, blockbuster grading, slow-mo, lens flares, film burn, exaggerated grain, or fake tape glitches. DV device itself does not appear in frame. [Audio] Only ambient sounds: community footsteps, slight street noise, door push, bag strap/cloth friction, gym AC hum, distant blurred conversation, light dumbbell placement, shoe-ground contact, treadmill motor sound, gradually heavier breathing, bottle opening/drinking, towel friction, natural laughter, and final character dialogue. Audio quality has slight noise/space sense from home DV mic, no studio vocals. No BGM, no narration, no subtitles. [Negative Constraints] Prohibit identity drift, face changing, glasses disappearing/deforming, hairstyle switching without reason, clothes changing color/style, exposed shoulder flipping left/right, body proportion changes, exaggerated muscles, plastic skin, beauty filters, abnormal skin texture, unreasonable sweat, distorted palms, extra fingers, equipment deformation, dumbbells passing through hands, foot sliding, distorted running motions, items floating/teleporting, wrong mirror reflections, duplicate protagonists, props appearing suddenly. Except for existing prints/marks on reference clothing, do not add brand logos, watermarks, date/timestamps, UI text, or other screen text.

Ultra-realistic cinematic action scene inside a high-school basketball gym, a fierce young woman in a stylish school-uniform-inspired outfit unleashes powerful glowing red and purple supernatural energy from her hands, intense confrontation with another girl, dramatic energy trails and particles, dynamic movement, wooden basketball court, bleachers in the background, cinematic lighting, realistic facial details, dramatic atmosphere, motion blur, volumetric light, shallow depth of field, high contrast, photorealistic VFX, 8K detail, vertical 9:16 composition, epic supernatural action movie aesthetic.

KAZEMIRU: THE JADE-WIND BLADE: ONE-TAKE CASTLE ASSAULT Duration: 30 seconds | Aspect Ratio: 16:9 | No music ONE-TAKE LOCK: This is ONE SINGLE UNBROKEN CONTINUOUS SHOT lasting the full 30 seconds. ZERO cuts. ZERO dissolves. ZERO fades. ZERO match-cuts. ZERO time jumps. ZERO scene resets. The camera never leaves the action and every location change happens physically inside the shot: the camera passes through torn doors, over railings and up the roof with Kazemiru. Time runs in real time. STYLE: Ultra-photorealistic live-action Japanese dark-action cinema with restrained subtle VFX. Impossible anime-inspired dual-sword choreography performed by real human bodies. Large-format cinema look, natural daylight, muted earthy color palette, soft realistic shadows, no oversaturated colors. @Image1 is KAZEMIRU. Preserve her exact face, silver-white ponytail, torn ivory kimono, charcoal split hakama, wind-swirl forearm tattoo and gold hoop earrings in every frame. @Image2 shows the five elite guards. @Image3 shows Captain Tetsugan. POSITIVE LOCKS (true for all 30 seconds): - Exactly ONE Kazemiru with exactly TWO real steel katanas, one in each hand, both always visible and independently controlled. - Her face always matches @Image1. - Every enemy comes from @Image2 or @Image3 and stays visually consistent. - Her body physically crosses every distance, with no teleportation. - It is always daytime with bright natural light. PERSONALITY: Cold, calm, battle-hungry. Minimal expression, steady breathing, focused eyes. Her hunger shows through relentless speed and escalating ferocity, never through grinning or shouting. JADE-WIND EFFECT: Every fast movement leaves a thin, soft jade-green wind trace that follows her exact physical path and fades almost instantly: sword arcs leave fine blade trails, spins bend the air, footsteps kick tiny wakes, supersonic bursts add a brief compressed-air ripple. Always thin, subtle and realistic. No aura, no smoke, no glowing body, no effects moving on their own. CAMERA (one continuous handheld-style pursuit): Constant dutch angle of 25–35°. Wide field of view around 75° in the interior and courtyard, tightening to about 50° for the rooftop duel. Kazemiru moves first and the camera follows 0.1–0.3 seconds late: whip-pan, overshoot, correct, reacquire at the moment of contact. The camera flows through rear over-the-shoulder, low-angle pursuit, side tracking, ground-level chase and front three-quarter retreat, always in one connected movement. Never static, never perfectly smooth. ══ 0:00–0:10: THE GRAND AUDIENCE HALL ══ Setting: bright daylight through large shoji panels, gold folding screens, tall dark timber pillars, tatami sections, raised platform, armor displays, low lacquer tables, silk curtains. 0:00–0:03: Rear over-the-shoulder, five guards closing in. Her fingers tighten on both hilts. BURST: a thin jade streak snaps across the hall and the silk curtains whip. The camera loses her, whip-pans, and finds her inside Guard 1's reach. Left blade parries, right blade slashes diagonally, a pivot, a reverse cut. He drops. 0:03–0:06: Guards 2 and 3 converge. She ducks under a swing, plants a foot on a pillar and pushes off, dust bursting from the wood. Mid-air her left sword deflects Guard 2 and her right sword cuts down. She lands on the edge of a lacquer table, which slides back, and rebounds straight toward Guard 3. 0:06–0:10: Aerial right slash, left reverse slash, dual cross-slash with two separate jade trails. She lands low and bursts across the floor. Guard 4's spear thrusts: she runs two steps up a wall, flips off, and cuts him down through a folding screen. Guard 5 charges: she catches his blade with one sword, vaults the railing above him, and finishes with a cross-slash as she lands behind him. ══ 0:10–0:20: THE PALACE COURTYARD ══ Transition inside the same shot: she does not pose. Both swords still in hand, she drives straight through the paper doors in one burst. The torn paper flutters past the lens as the camera follows her through the doorway onto the wooden veranda and out into a stone courtyard with lanterns, a koi pond, a red lacquer arched bridge and pine trees. Eight new guards: swordsmen below and archers on the roofs. 0:10–0:13: A volley of arrows. She cuts two out of the air with a spinning double slash and a third grazes her sleeve. She sprints along the veranda, pivoting off each post, a jade ripple following her feet. 0:13–0:16: She kicks off a stone lantern, which tips over, and leaps onto the bridge railing. Three swordsmen charge. She runs along the rail, slashes the first, flips over the second, and lands in the koi pond with a huge splash. In the water she parries two blades and cuts both guards. Droplets scatter across the lens. 0:16–0:20: She bursts out of the pond and sprints up a pine trunk in three steps. The camera tilts up with her. She launches onto the roof among the archers: left sword disarms, right sword strikes, roof tiles scatter. Two archers fall. ══ 0:20–0:30: THE ROOFTOP DUEL ══ Transition inside the same shot: she keeps climbing over the roof ridge and the camera rises with her, tightening to a 50° field of view. The tiled castle rooftop opens up with wind in her ponytail and the town far below. Captain Tetsugan (@Image3) waits with his naginata, calm and unflinching. 0:20–0:23: Tetsugan sweeps the naginata in a wide arc. Kazemiru ducks, slides down the sloping tiles, and crosses both swords to stop the blade. Sharp metal sound as his strength pushes her back a step. Her expression stays cold. 0:23–0:27: Fast exchange: his thrust, her left parry, her right slash that cuts his armor cord. He spins the pole and sweeps for her feet: she jumps, kicks off the shaft, and flips over him. Mid-air she cuts both swords across his back armor. Tiles crack under their feet and a faint jade wake curves around her path. He staggers, strikes back, and she narrowly dodges as the blade cuts a roof beam. 0:27–0:30: Supersonic burst along the ridge line, the jade streak slightly brighter but still thin. She slides under the naginata, and as she rises both swords slice through the shaft in a clean cross-cut. Tetsugan drops to one knee, defeated but alive. Kazemiru stands, both swords still in hand, and the last jade filaments disappear. She turns her cold eyes toward the courtyard far below, where dozens more guards pour in. The camera slowly pulls back and up to a wide shot of the whole castle. She lowers her body for the next burst. THE FIGHT CONTINUES. AUDIO: Sword resonance, compressed-air whooshes, metal clashes, footsteps on wood and tiles, arrows, water splashes, fluttering silk and paper, enemy shouts, wind over the rooftops. No dialogue, no music. HUMAN-FIRST LOCK: Kazemiru is always a real human: natural skin pores, real eyes, individual hair strands, believable anatomy and cloth physics. Only her choreography is anime-level impossible. NEGATIVE: cuts, edits, dissolves, fades, scene transitions, time jumps, multiple shots, single-sword fighting, missing or duplicate sword, duplicate Kazemiru, clones, teleportation, thick aura, smoke, glowing body, neon or oversaturated colors, detached VFX, random flips, decorative acrobatics, idle pose, static camera, perfectly smooth tracking, slow combat, floating, broken anatomy, CGI or plastic skin, anime rendering, blood, gore, subtitles, logos, watermark.

Generate a [30-second, 16:9 horizontal, 4K, live-action, high-budget cinematic quality] "Chinese Civilization Time Travel" short film, deeply referencing the actual camera structure and time progression logic of my uploaded reference video: This is not an edit of multiple historical scenes, but a single camera following [the same Chinese male] continuously forward from second 0 to 30, traveling from ancient times through thousands of years of Chinese civilization, and finally continuing past contemporary times into the future like the reference video; Use my uploaded male photo as the [sole and absolute face reference] for the entire film, the photo is only responsible for locking the person's identity, strictly maintaining his face shape, feature proportions, eyebrows/eyes, eye distance, nose bridge/tip, lips, jawbone, facial bone structure, skin tone base, youthful age sense, and recognizability. Absolutely do not reference the blue suit, tie, restaurant, chandelier, roses, jewelry, sitting posture, or background in the photo. Throughout 0-30s, viewers must clearly recognize this is the man from the reference image; prohibit changing actors per era, prohibit feature drift, prohibit becoming different ancient handsome guys or AI template faces. Era changes can only alter his hairstyle, hair length, binding method, beard, clothing materials, footwear, headwear, belts, tools, accessories, status, and habits. The entire film must visually be a true "one-take shot," prohibiting hard cuts, black screens, flash whites, fades, dissolves, sudden scene changes, character teleportation, or background refreshes. The character must never stand still letting the world change around him; he must actively move forward, running, walking fast, crossing, jumping down stairs, dodging sideways, grabbing vehicles, passing through crowds, pushing doors, climbing bridges, passing buildings, going past transport. The camera moves with him, naturally changing framing between side-front tracking, frontal backward tracking, lateral panning, rear chasing, low-angle footsteps, wide shots, and close-ups like the reference video. All era transitions should prioritize hidden cuts using real physical motion, e.g., rocks, pottery wheels, cart wheels, chariots, pillars, flags, fabrics, scrolls, doors, bridge columns, carriages, steam, trains, buses, crowds, glass curtains, transparent barriers passing extremely close to the camera and briefly obscuring for 0.2-0.8 seconds. During obstruction, character styling, held items, ground, and surrounding world must evolve simultaneously. After obstruction ends, stride, center of gravity, direction, speed, and spatial position must completely continue from the previous instant; absolutely no "background changed era but character didn't." 0-3s must be gripping: Early morning sunrise, ancient Chinese cliffs and huge river valleys, low-angle morning light through mist, distant vast mountains/rivers/forests/wildlife/tiny primitive settlements, faint campfire near cave, wind blowing grass and rough long hair. The man is now an ancient Chinese ancestor, face remains him, wearing rough animal skins/plant fibers/primitive weavings, skin with real pores/sweat/dust/light tan, holding stone-tipped wooden spear. He hears a sound, turns quickly, runs forward along slope. Camera drops from wide shot to side-front high-speed tracking. He crosses a large rock, camera lowers following feet; landing moment no cut, dry rock texture spreads forward becoming wet mud/ridges/early farmland. Animal skins turn to hemp/kudzu cloth during run/self-occlusion. Wooden spear shortens to plow/sickle during hand switch. Loose hair binds simply. Surroundings grow semi-subterranean/wood-earth houses/pottery/grain/baskets/mills/livestock/drying racks/people living/laboring. ~3-5s enter Neolithic farming civilization, character rushes through village, dodging residents/animals. Giant rotating pottery wheel passes horizontally extremely close filling frame; clay texture hardens/deepens/gains metallic luster, circular structure evolves into bronze ritual vessel patterns/chariot wheels. ~5-7.5s after obstruction leaves, space continuously enters Xia/Shang/Zhou Bronze Age. Running uninterrupted, coarse hemp clothes become real/simple/structured early Huaxia attire (not Xianxia/idol drama/studio Hanfu). Rammed earth walls/wood structures/bronze casting/furnaces/carriages/horses/flags/ritual vessels/busy residents appear. Runs onto higher road, chariot crosses quickly, he dodges, grabs long flag blown by wind for momentum. Huge flag cloth sweeps camera causing full obstruction; during coverage, hairstyle/collar/leather belt/footwear/road structure evolve toward Qin/Han. ~7.5-10s after cloth leaves, running in real Qin/Han city gates/post roads. Same face unchanged. Ordinary traveler/city male, real bound hair/cross-collar clothes/leather belt/cloth shoes, not emperor/general. Camera tracks from side through gates/inns/crowds/carriages. Briefly grabs edge of moving carriage, carried forward two steps then lets go, keeps running. Giant wooden wheel rolls past close to camera; as wheel leaves, empty road expands/widens along direction adding buildings/shops/goods/crowds/colors. ~10-12.5s continuously enter prosperous Tang Dynasty large city. Character becomes real Tang ordinary city male attire, face kept. Streets not empty film sets but filled with real wood pavilions/vendors/horses/camel teams/diverse merchants/goods/food/cloth/vessels/flags/crowded life flow. Rushes through crowds, ducks under lifted beam, slips between horses/pedestrians. Camera moves from side to frontal backward. Market colored banners fall from above onto camera; fibers thinning turning into unfolded rice paper scroll. Camera slides along surface; ink/river/bridge/building lines gain volume via perspective. No magic glow; painted bridge lines become real railings, landscape lines become river/city structure. ~12.5-15s after passing paper edge, entered extremely prosperous Song Dynasty city. Same man, action uninterrupted, clothes/hair sync to Song. Real rivers/arch bridges/shops/tea houses/boats/vendors/porcelain/calligraphy/printing/goods/dense citizen life extend forward. Runs onto bridge, camera lowers near deck backward tracking. Holds railing dodging large cargo box; box close causes brief obstruction. When found again, rushing down steps pushing giant wooden door. Thick door panel slides past camera; during full obstruction, alleys/buildings/fabric/headwear continue evolving. ~15-17s after passing door, naturally enter Ming/Qing city. Still same man, clothes fit real ordinary resident, no Qing palace drama, no officials/luxury everywhere. Mature alleys/archways/shops/courtyards/warehouses/handicrafts/vendors/residents/goods/carriages. Moves fast forward. Wooden vehicle grazes him; camera close to wheel; wood rim gains iron bands/steel/rivets/mechanical structure during spin. ~17-20s wooden wheel becomes steam locomotive giant iron wheel; wood city becomes modern Chinese railway/steel beams/brick buildings/utility poles/lights/newsstands/bicycles/modern station/docks/factories. Must be clearly modern China, not British Industrial Revolution. Traditional clothes transition to modern Changshan/Jacket/early Western mix. Moves fast along steam train; massive white steam sprays covering frame ~0.5s; step frequency maintained in steam. ~20-22s as steam clears, train/road/city evolved to 20th Century China. Bicycle flows/buses/trams/residential blocks/shops/wires/crowds appear. Hair short, clothes from Changshan to Zhongshan Suit/shirt/jacket/trousers. Bus crosses foreground obstructing; streets wider, bikes become cars, low-rises develop upward, glass/reinforced concrete/public transport increase. Continues forward. ~22-24s enter true contemporary Chinese city. Camera parallel to giant glass curtain wall; reflection shows old city accelerating evolution: bikes/buses/low-rises become modern roads/subway/high-speed rail/EVs/commercial streets/greenery/parks/glass buildings. Passing edge reveals real contemporary city. Vibe blends Shanghai/Shenzhen/Hangzhou but no direct landmark copies. Man is now modern young male, keeping reference face.

FORMAT: 15s / 720P / 16:9. REFERENCES: Image1 is the storyboard and sequential visual guide. SCENE: One career woman races through the final hours of Friday in a modern city office, finishes her last task, and steps into an inviting golden evening. STYLE: contemporary live-action cinematic realism, brisk pacing, cool blue-gray office shifting into amber sunset and warm city lights. LENS / LIGHT / GRADE: 35mm full-frame with 85mm close-ups; cool overhead office light shifting to golden-hour backlight from screen-right; subtle film grain. STATIC LOCKS: same adult woman, face, tailored workwear, hair and accessories throughout; coherent office geography, screen direction and light progression. DYNAMIC MOTION: quick clock glance, purposeful typing, notifications, brisk lateral tracking, decisive laptop close, forward stride through glass doors, gentle city drift, settle into stillness. TIMELINE: 0-1.5s tight clock and anticipatory eyes; 1.5-3.2s wide office typing as colleagues wind down; 3.2-5s notifications then controlled exhale; 5-7s tracking as she finishes a call and gathers her coat; 7-8.8s final email sent, laptop shuts, relief; 8.8-10.8s she exits into golden evening; 10.8-13s city walk opens into warm weekend atmosphere; 13-15s she smiles, phone goes into her bag, holds a calm liberated final frame. AUDIO / VOICE: ticking clock and soft keyboard taps build over light rhythmic instrumental music; laptop click, office ambience recedes into evening street sounds; music opens into warm buoyant weekend energy. No dialogue or voiceover. RULES: one continuous cinematic video, not a storyboard slideshow; no panel borders, captions, masthead, arrows, overlays or readable screen text; no extra featured characters; preserve natural movement and identity. NEGATIVE: no identity drift, frantic unreadable cuts, garbled text, split-screen or frozen montage.

KAZEMIRU — WILD-WIND NIGHT HUNT — 5 SAMURAI Duration: 15s | 16:9 | No Music STYLE: Ultra-photorealistic REAL LIVE-ACTION, AAA Japanese dark-action cinema, restrained semi-CGI VFX. ARRI ALEXA 65, IMAX, Panavision anamorphic. Nighttime Edo Japan, cold moonlight, warm lanterns, deep shadows, mist, realistic atmosphere. @Image1 — STRICT IDENTITY LOCK: Preserve exact male face, facial geometry, white hairstyle, body proportions, torn-white outfit, tattoo, accessories and identity. Exactly ONE male Kazemiru, TWO real metal swords, FIVE adult samurai. Kazemiru ALWAYS remains a photorealistic real human male. COMBAT: Wild, aggressive, acrobatic anime-inspired dual-sword choreography translated into live action. BURST → CROSS-SLASH → PIVOT → REVERSE CUT → WEAVE → DOUBLE SLASH → RE-BURST. Both swords remain physical and clearly visible. ZERO idle, posing, waiting or neutral resets. SUPERSONIC WIND: Kazemiru physically crosses every distance; NO teleportation. Each short-range burst creates restrained emerald-green wind trails, subtle particles, air distortion, dust, leaves, bending lantern flames and realistic clothing reaction. LOCATION: Edo castle district at night: broad dirt road, wooden houses, stone walls, gates, tiled roofs, lanterns and trees. Five samurai surround Kazemiru. CAMERA: Strong 25–35° Dutch angle. Camera is always moving and intentionally slower than Kazemiru. Kazemiru moves first → camera reacts 0.1–0.3s late → whip-pan → overshoots → corrects → reacquires at contact. Use rear OTS, 3/4 tracking, aggressive side tracking and low-angle pursuit. NEVER static, floating or robotic. 00:00–00:03 — #1: Five samurai rush from different directions. Kazemiru bursts forward, air blast throws dust and leaves. Camera loses him, whip-pans, reacquires. He reaches #1 and delivers a brutal dual-sword CROSS-SLASH. Clear contact. #1 collapses. No blood/gore. 00:03–00:06 — #2: #2 attacks. Kazemiru weaves beneath the blade, redirects it with one sword and reverse-slashes with the second. Clear contact. He plants one foot on a stone wall and explosively pushes off. Wind and dust erupt. Camera overshoots toward #3. 00:06–00:09 — #3: Kazemiru flies into frame. Camera catches him mid-air. Real human body twists through a descending dual-blade attack. Both swords remain readable. Clear contact. He lands low and instantly bursts again. 00:09–00:12 — #4: Low Dutch tracking above dirt. #4 charges. Kazemiru weaves past by centimeters, pivots and performs two distinct reverse-slashes. Clear contact. Pressure wave throws dirt outward. Camera loses him and violently reacquires. 00:12–00:15 — #5: #5 searches desperately. Emerald wind crosses background. Kazemiru bursts from the side. He ducks the sword, rotate

10 seconds, 9:16 aspect ratio, realistic funny short video. At an ancient Chinese architecture scenic spot, a young Asian woman wearing traditional ancient costumes stands on a white cloud, about 2 meters above the ground, slowly flying forward stepping on the cloud. First 4 seconds: The girl and the white cloud move stably and synchronously forward, with the girl looking relaxed and natural. Starting from the 4th second, a sudden lateral strong wind blows, moving the girl's hair and sleeves. The white cloud under her feet is slowly blown to the right side alone, while the girl does not follow the cloud. After the white cloud completely leaves the girl's feet, she remains suspended in the original position for half a second. She first looks down at her feet, then looks up at the drifting cloud, showing a confused expression. Then the girl loses support and falls vertically out of the frame. The white cloud continues to drift leisurely into the distance. Key points: The cloud is blown away horizontally by the wind, leaving the person in place; after the cloud leaves, the character suspends for half a second before falling. Do not include complex magical effects.

A full-body editorial fashion photograph of a beautiful young woman with the same appearance as the reference, long glossy dark hair, soft bangs, fair skin, and refined feminine features. She stands casually in an upscale minimalist fashion boutique, wearing an oversized pastel-blue knit sweater paired with a black pleated tennis-style skirt, white crew socks, and chunky designer sneakers.Relaxed confident pose, gentle smile, luxury retail interior with modern clothing racks, neutral-toned garments, warm ambient lighting, wood and stone textures, clean architectural lines, cinematic depth of field, realistic lighting, premium fashion advertising, Vogue-style editorial, ultra-detailed, sharp focus, photorealistic, 4K.

Use the reference image as the identity reference only. Preserve the girl’s exact facial identity, facial structure, eyes, nose, lips, skin tone, and recognizable features with no identity drift. Create a full-body fashion editorial photograph, showing her completely from head to toe, with both feet visible. A striking young woman standing confidently in an otherworldly luxury fashion studio, wearing an avant-garde sculptural gown made from flowing translucent silver fabric and delicate metallic petals, asymmetric silhouette, architectural shoulders, subtle crystal embellishments, elegant high-fashion styling, sleek dark hair, minimal silver jewelry, natural confident expression. The fabric gently moves with a soft breeze. Reflective black floor, geometric architectural shadows, sophisticated futuristic atmosphere, premium haute couture editorial, realistic fabric texture, natural skin pores and fine facial details, realistic hands and fingers, anatomically correct proportions, photorealistic photography, full-body composition, camera positioned at eye level and far enough away to capture the entire body without cropping, 85mm fashion photography, soft directional studio lighting, ultra-detailed, 8K, luxury magazine aesthetic, same reference face, consistent identity, no face alteration. Negative prompt: identity drift, different face, altered facial features, face morphing, cropped head, cropped feet, half-body, close-up, distorted anatomy, elongated limbs, bad proportions, extra fingers, malformed hands, duplicate limbs, plastic skin, over-smoothed skin, CGI, cartoon, unrealistic fabric, blurry face, asymmetrical eyes, low resolution, text, logo, watermark.

{ "vibe_title_en": "{argument name="title" default="The Weightless Surrealism of Pink Illusions"}", "master_prompt": "A high-budget practical surrealist editorial shot. The Protagonist, captured in a Three-Quarter Editorial waist-up mid-shot. The subject's body is angled at 45 degrees, but the head is turned directly to the camera, anchored by a piercing, tranquil, and dissociative gaze. The Protagonist wears an avant-garde, massively oversized, bubbled-texture {argument name="coat color" default="magenta"} couture puffer coat that is intentionally draped off one shoulder, revealing highly detailed, hyper-realistic bare skin, natural pores, and collarbone underneath. The setting is a surreal, monochromatic {argument name="theme color" default="magenta"} observation chamber. The floor is engulfed in dense, rolling {argument name="fog color" default="pink"} dry-ice fog. Suspended at various heights around the subject are hyper-realistic, fluffy cloud-like formations physically crafted from dyed raw organic cotton and spun sugar, hanging by invisible ultra-fine wires. The scene is illuminated by tall, vertical, diffused {argument name="light color" default="magenta"} luminescent pillars (NO NEON) that cast a soft but directional glow. A crisp, neutral-white overhead key light isolates the face, highlighting micro-details of the skin and the textural weave of the coat, while the background clouds glow with internal reflections. Shot on Hasselblad H6D-100c with a 50mm prime lens at f/1.4, creating a shallow depth of field that renders foreground cotton clouds slightly out of focus. Kodak Portra 400 film stock, authentic skin textures, natural imperfections, cinematic volumetric haze, tactile physical effects.", "meta": { "intent": "Editorial Surrealism", "priorities": "Tactile Textures, Monochromatic Depth, High-End Practical Effects", "device_profile": "High-Resolution Display" }, "frame": { "aspect": "4:5", "composition": "Three-Quarter Editorial, Waist-up", "layout": "Center-anchored face, asymmetrical framing with suspended clouds", "camera_angle": "Eye-level, straight on to face, body at 45 degrees", "tilt_roll_degrees": "0" }, "subject": { "gender": "Female", "identity": "The Protagonist", "demographics": "Ageless, universal features", "face": "Symmetrical, neutral, highly textured with visible pores and natural micro-imperfections", "hair": "Pulled back cleanly, out of the face", "body": "Body angled at 45-degrees, one bare shoulder exposed", "expression": "Tranquil dissociation, piercing direct eye contact", "pose": "Waist-up mid-shot, frozen in a subtle lean, one shoulder dropped" }, "wardrobe_accessories": { "garments": [ { "item": "Avant-garde oversized puffer coat", "material": "Quilted, bubbled-texture synthetic silk", "color": "Bubblegum magenta", "fit": "Massive, disproportionate, draped off one shoulder" } ], "accessories": [ { "item": "Minimalist stud earring", "color": "Translucent pink", "material": "Resin" } ] } }

Using the provided reference image of a neon-lit arcade corner, transform the scene by adding realistic environmental storytelling elements. Specifically, generate a pile of trash and dirt buildup at the base of the wall where it meets the floor. Include a rusted metal pipe protruding from the wall, a discarded crushed aluminum can, crumpled plastic wrappers, and scattered dead leaves. Add a weathered electrical outlet box with a black cord plugged into it. Ensure the new objects have wet, reflective surfaces that match the existing puddle reflections on the cracked asphalt ground.

【OUTFIT CHANGE ONLY】 Use the attached character image as the highest-priority reference. Create the final image in a vertical 4:5 composition. Preserve the original character identity and illustration style. Keep the original face, eyes, hairstyle, hair color, expression, and overall pose impression. Change only the outfit and matching accessories. Recompose the image naturally into a 4:5 vertical frame while preserving the original character, expression, pose impression, and overall scene feeling as much as possible. Keep the character’s face and hand-heart gesture clearly visible in the 4:5 composition. Do not redesign the scene. Do not create a completely new pose. Do not zoom out unnecessarily. Do not reveal additional body parts just to show outfit details. If legs or feet are not visible in the original image, do not add them. OUTFIT: A cute retro-inspired dress in red, black, and white with a clean polka-dot design. Black fitted bodice with a large rounded white Peter Pan collar. Short red puff sleeves with evenly spaced white polka dots and softly gathered cuffs. High-waisted red skirt with white polka dots and a softly flared A-line silhouette. Large white fabric bow at the waist. Optional matching red-and-white polka-dot ribbon hair accessory. If footwear is visible, use simple matching red shoes. Clean coordinated costume design. Consistent polka-dot pattern. No extra decorations. Adapt the outfit naturally to the character's existing visible area.

Create a premium ultra-realistic vertical 4:5 fashion portrait collage in a warm minimalist interior. A young woman is standing confidently on the left side of the composition, leaning naturally against a large sculptural curved beige architectural wall. She is wearing a stylish modest all-black outfit — elegant black long-sleeve top, black straight-leg trousers or jeans, and black shoes. Natural relaxed pose, one leg slightly crossed over the other, hands casually positioned near her pockets. On the right side, create three vertically arranged framed black-and-white portrait photographs of the same woman, each with a different natural pose: Wearing stylish black sunglasses, looking toward the camera. Looking downward with a calm expression. Wearing black sunglasses and gently adjusting them with one hand. Keep all three portraits consistent with the same woman and facial identity. The interior should have a sophisticated beige, cream and warm sand color palette, soft sunlight entering from the side, beautiful natural window shadows across the wall and floor, subtle cinematic lighting, minimal modern decor, and a small sculptural stone vase with delicate branches in the bottom-left corner. Photorealistic photography, realistic skin texture, realistic fabric, natural proportions, premium editorial fashion aesthetic, soft shadows, architectural photography, high detail, cinematic composition, 8K, clean luxury magazine style, vertical 4:5. Important: no watermark, no extra text, no logo, no distorted hands, no duplicate people, no artificial-looking face,

Create a highly realistic full-body portrait of a young South Asian woman wearing an elegant deep emerald-green traditional Pakistani outfit with delicate red floral embroidery. She has long, naturally wavy dark-brown hair, center-parted and softly framing her face, warm fair skin, expressive brown eyes, natural eyebrows, soft pink lips, and realistic facial features. Preserve a natural human appearance with visible skin texture and subtle imperfections. She wears a matching sheer embroidered dupatta draped gracefully over her shoulders, ornate silver jhumka earrings, and multiple green bangles. Her hands are gently placed together near her waist. The outfit features intricate red rose and floral embroidery across the sleeves, bodice, dupatta, and lower dress. Soft natural daylight, elegant indoor setting, light neutral background with blurred green plants and red flowers, shallow depth of field, soft bokeh, realistic fabric texture, cinematic portrait photography, 85mm lens, natural proportions, photorealistic skin, high detail, sophisticated Pakistani fashion editorial, vertical composition, 4:5 aspect ratio.

Ultra-realistic, cinematic, high-fashion close-up portrait of a strikingly handsome young man in his early 20s, with thick naturally wavy jet-black hair, strong masculine eyebrows, deep dark-brown eyes, a sharply defined sculpted jawline, subtle natural stubble, and realistic skin texture with visible pores. CONCEPT & COMPOSITION: His face emerges mysteriously from absolute, pitch-black darkness, creating a powerful and captivating visual. Only his intense dark-brown eyes, the bridge of his nose, and the sharp contours of his sculpted jawline are illuminated by extremely subtle, soft directional lighting. The rest of his face gradually disappears into deep, velvety shadows, creating a dramatic chiaroscuro effect. LIGHTING & MOOD: Extremely low-key cinematic lighting with delicate highlights reflecting in his eyes, a faint strip of soft light tracing the bridge of his nose, and subtle illumination defining his jawline. Deep blacks, rich shadows, dramatic contrast, and a mysterious, intense, sophisticated atmosphere. His expression is calm, confident, serious, and effortlessly masculine, with his eyes staring directly into the camera. PHOTOGRAPHY & QUALITY: Extreme close-up portrait, shot on an 85mm professional portrait lens, shallow depth of field, ultra-detailed natural skin texture, realistic facial features, cinematic shadows, luxury fashion editorial photography, professional studio lighting, 8K HDR, photorealistic quality, sophisticated monochromatic black aesthetic, and exceptionally sharp eye details. BACKGROUND & STYLE: Completely black, seamless background with no visible surroundings. Minimalist composition emphasizing the beauty of the face, eyes, and jawline. Dark luxury editorial campaign aesthetic, mysterious cinematic atmosphere, artistic use of negative space, deep blacks, and subtle silver-toned highlights. STRICT REQUIREMENTS: Maintain natural and realistic masculine facial proportions, anatomically accurate features, lifelike skin texture, and natural hair. No artificial glow, no excessive lighting, no visible background, no extra objects, no text, no logo, no watermark. Vertical 9:16 aspect ratio.

A cinematic, photorealistic image of a massive bipedal police robot lifting a heavy shipping container at a rainy port terminal. The robot is the central focus, towering over human-sized emergency responders in the foreground. It features a complex mechanical design with white and black armor plating, hydraulic joints, and a head unit equipped with multiple camera lenses resembling a sensor array. Red warning lights glow on its shoulders. The text "警視庁 MPD" (Metropolitan Police Department) is clearly visible in Japanese characters on the robot's chest and shoulder pads. The robot holds a large, rusted red shipping container labeled "TCNU 897315 Z 45G1" with both hands, appearing to move it from a collapsed stack. In the background, there are stacks of other containers (one blue with "NYK", one red with "CMA CGM") and large gantry cranes silhouetted against a stormy sky. Heavy rain falls throughout the scene, creating wet reflections on the asphalt ground. In the foreground, several firefighters wearing orange uniforms with reflective stripes and helmets (labeled "東京消防庁") and police officers in dark uniforms (labeled "警視庁 MPD") are directing operations or observing the robot. The lighting is dramatic, with bright floodlights illuminating the scene amidst the gloomy weather.

A horizontal banner image with a light beige background. On the left side, there is Japanese text in purple and yellow: '制作記録 #2 敵キャラ編' (Production Record #2 Enemy Character Edition), followed by large bold text '生成AIの「あるある」がモンスターに！' (Generative AI's "Common Occurrences" become monsters!), and smaller text below 'ジェネコの冒険 ～ノイズの大迷宮～ 敵キャラ制作の2日間' (Geneko's Adventure ~ The Labyrinth of Noise ~ Two Days of Enemy Character Creation). To the right of the text, there are two small chibi characters: a girl with brown hair wearing glasses and a school uniform holding an open book, and a blue cat-like creature with pink ears reading over her shoulder. The rest of the image is filled with a collage of various colorful monster designs arranged in rows. Top row includes a shiny green sphere with eyes, a muscular blue furry beast with glowing purple eyes, a purple insectoid robot with green wings, and a multi-limbed robotic figure. Middle section features a red beetle-like creature with warning signs on its shell, a wizard character wearing a rainbow-colored pointed hat and robe holding a staff, a white moth-like creature with blue eye patterns on its wings, a black spider-tank hybrid with red lights, and a pink abstract shape resembling a face or symbol. Bottom row shows a green goblin-like creature with glowing yellow eyes, a brown spiky turtle-like monster, a pale humanoid figure with blank facial features, a split-faced doll character (half pink/half grey) holding a knife, and a purple blob monster with angry eyes.

A vertical portrait of a cute Japanese high school girl sitting at a desk in a classroom. The subject is rendered in a semi-realistic, soft anime style with smooth skin and detailed shading, while the background is depicted as a black-and-white manga sketch. She has long dark brown hair tied in low twin tails with pink hair ties, large purple eyes, and a pensive expression. She wears a traditional navy blue and white sailor uniform (seifuku) with a red bow tie and white knee-high socks. Her right hand holds a pen near her temple as she looks down at an open notebook on the grey metal desk. A pencil case sits on the desk to her left. In the background, other students are visible but drawn only in greyscale line art, creating a striking contrast between the colored foreground character and the monochrome environment.

A surreal, hyper-realistic photo manipulation of two vibrant hot-pink swans (bubblegum-magenta pink, hex ~ #F542A4 to #FF69B4). Their long necks are elegantly intertwined, crossing over each other to form a heart-like shape. The swans turn their heads away from each other

Use the uploaded image as the master face reference. Create a full-body, photorealistic fashion portrait of the same woman standing gracefully in the middle of vast golden desert dunes at sunset. Preserve her exact facial identity, facial structure, eyes, nose, lips, skin tone, and natural features from the reference image. She has sleek, wet-look brown hair brushed back, subtle elegant makeup, small hoop earrings, delicate layered gold necklaces, and minimal gold bracelets. She wears an elegant ivory-white couture gown inspired by futuristic royal fashion: fitted sculptural bodice with a sophisticated wrapped neckline, long sheer flowing sleeves, structured layered fabric around the hips, a long floor-length skirt with dramatic overlapping panels, and an enormous lightweight flowing cape/train trailing naturally across the sand. The fabric should look physically real, soft, slightly translucent, and naturally affected by the desert breeze. She stands confidently facing the camera with a calm, elegant expression and relaxed natural posture. Full body visible from head to feet, including the gown and flowing train. Vast realistic sand dunes extend into the distance, detailed wind-shaped ripples in the foreground, warm natural sunlight, realistic atmospheric depth, subtle desert haze, authentic shadows, natural skin texture, realistic fabric folds and stitching, detailed hands and fingers. Photography: high-end luxury fashion editorial, realistic DSLR photography, 50mm lens, natural depth of field, sharp facial details, realistic proportions, true-to-life skin texture, soft golden-hour sunlight, natural color grading, extremely detailed, photorealistic, no artificial CGI appearance. Negative prompt: cartoon, anime, illustration, 3D render, plastic skin, overly smooth face, face distortion, identity change, different person, exaggerated makeup, unrealistic body proportions, extra fingers, malformed hands, duplicated limbs, warped dress, floating fabric, blurry face, low resolution, excessive glow, artificial background, text, logo, watermark.

Make me a Tesla cybertruck truck that has heat tiles made for driving through forest fires

Italian amphitheater, tour guide to camera: “Here thousands of people sang.”

The beautiful young man stretches his arms and body to arrange the planets, breathing. His friends notice his perfect navel appearing discreetly under the lower edge of his sweater "we can see your little navel". Plan in zoom on his nav...

Locked-off pad deck. Five beats of wash, mist, and strut bite. Runway Seedance epic remade in Grok Imagine.