AI Prompt Library

Vivid, bright-colored soap bubbles floating in a colorful meadow filled with vibrant flowers

They immediately developed self-cleaning optics for all of their systems and they start to have a massive car wash in an infinite-dimensional Klein bottle

Earth rise behind moon, golden dappling light with subtle 35mm grain https://t.co/wkqis6MT5k

15 seconds, 9:16 vertical screen, photorealistic mobile phone travel vlog, entirely self-shot by an adult female protagonist using the front camera. The protagonist's identity refers to #1 @0ba07db1-974c-467d-80dc-d9dffddac0ba, clothing, shoes, socks, and accessories strictly refer to #2 @c6a3d787-bf2f-4ae9-a647-8da9db2702e3, do not replace the protagonist with characters from scene images. Scene references include the sea of clouds mechanical colossus in #3 @cf1b1405-e241-46d5-818c-7838463fe334 and the cave giant in #4 @7953261f-23e7-4c97-b6a0-14bcf07aabe4. Use explicit travel jump cuts between the two locations to indicate that the journey in between has been omitted, rather than showing a single step crossing space. She always holds the phone in her right hand, while her left hand is used to steady herself on rocks or maintain balance. The phone is about one arm's length from her face; in the wide-angle selfie, her face is positioned on one side of the frame, with the environment unfolding behind her shoulder. The character and environment share natural light, shadows, dust, and wind, preserving realistic skin texture. Only include shaking consistent with foot and wrist movements, brief exposure adjustments, and motion blur. No beauty filters, no background music, no subtitles. [0-4 seconds] On a broad rock platform above the sea of clouds, the female protagonist slowly walks along the inner side away from the cliff edge. She turns her body sideways so that two golden mechanical colossi embedded in the mountain appear behind her shoulder: huge breastplates occupy the background, legs disappearing into the clouds, with distant travelers appearing extremely small. Sunset illuminates one side of her cheek, wind ruffles her hair tips. She first looks up, then at the lens, whispering with suppressed awe: "This scenic spot, the security guards are taller than mountains." [4-7 seconds] She stops to continue looking up. The orange glow on one colossus's chest slowly intensifies, its head rotates slightly; moments later, low-frequency mechanical sounds reach the platform. She listens first, then confirms visually, her smile gradually fading. Her left hand instinctively steadies the nearby rock wall, pulling the phone slightly closer. She stops speaking, only taking a short breath. Background travelers stop individually to observe, without turning heads uniformly. [7-11 seconds] Explicit hard cut, omitting transition journey: She has arrived at the gravel path outside the cave referenced in #4. Light changes to gray-white daylight reflected from the cave entrance, with sheep, wooden fences, and scattered baskets behind her. She was walking along the path when a panicked ancient soldier runs past her left side, followed by two more rushing around the gravel. She steps aside first, watching them suspiciously; then heavy footsteps sound, small stones on the ground tremble. She turns back to look at the cave entrance, rotating her body to reveal the giant's face between the rock walls behind her shoulder. She whispers: "Wait... they're not here to queue." [11-15 seconds] The giant squeezes toward the cave entrance, shoulders brushing off falling rocks, dust obscuring part of the wooden fence. The protagonist immediately stops speaking. She first checks the escape route ahead, then follows the fleeing crowd quickly leaving along the path, bringing the phone close with her right hand, raising her left arm to protect her forehead. The selfie footage shakes with her footsteps, the giant only briefly appears behind her shoulder, not seeking full-body composition. In the last two seconds, she moves sideways into a recess on the right rock wall, bending her knees to lower her body, supporting herself on the rock surface with her left hand. Ending shot: She leans against the rock wall, right hand holding the phone slightly upward at chest level, thin dust on her face, lips slightly parted, breathing heavily; the left edge of the frame still shows dust drifting from the cave direction. Sound: High-altitude wind, low-frequency mechanical sounds; after the jump cut, replaced by sheep bleating, running footsteps, rolling gravel, giant's breathing, and her close-range panting. Only the protagonist speaks clear lines, background figures' shouts are indistinct. Prohibit third-person tracking shots, aerial shots, floating phones, continuous direct gaze while running, sudden outfit changes, smiling explanations ignoring danger. The giant does not teleport in front of her.

Remove the hands out of the scene. Make the water into a busy highway with different teslas riding on it. Put the earth up closer to the sky. With a lot of stars in it and the moon....

Better yet land a raptor booster rocket on Harvard university with a Grock 4.... Learn about anything anywhere

Photorealistic video of Sam Elliott bench pressing 400 pounds at the gym. He stands up and tips his cowboy hat to the camera and smiles. No talking. Add western music. @MustacheElliott You’re my first celebrity follower so I’ll make cool Grok videos of you for a while 🥰

Create a 9:16 38 second video of someone drinking tea from first person perspective, as the cyber truck drives them around FSD style the desert in Phoenix, Arizona.

Sea of ink. When Ningning runs her brush, the peaks she touches turn into ice and snow. The Big Dipper is far away, and the Heavenly Palace is even further. A white wolf rises from within the ice and howls. The end of 'Mayfly World'. People are lost. One remains in the realm. Put down the brush, or stay with the wolf? The ink is still not dry. Only where the brush touches becomes ice. The Big Dipper is small. The wolf emerges from the peak, not the page. Put down the brush? Stay with the wolf and the realm?

Constructive criticism can be a good thing, but it only comes from people who genuinely care about what you are doing.

A creepy Mexican wind up music box with a spinning taco. It’s playing a creepy version of “Y.M.C.A.” by the Village People that is coming to a stop.

Have them begin kissing and keep kissing as the ride progresses. Romantic music plays in the background.

Yes I want the Sit!” / dove version at the end. “Behold, I am sending you out as sheep in the midst of wolves, so be wise as serpents and innocent as doves” (Matthew 10:16, ESV).

Chickens running around scratching up the mealworms and seed saying “mine,mine, mine!

still safe & sound at home, dancing in her back-yard under the new fall moonlight

Create a world where space refuses to make sense. Staircases that return to themselves. Rooms bigger inside than outside. Gravity that changes from one floor to the next. Make the impossible feel convincingly real. forced perspective • deep staging • impossible geometry • conflicting gravity

Maintain all likeliness of art and surroundings. The blue faces mildly laugh. The movement of the faces stops and returns to original placement on canvas every time a blue component touches another. Movements mimic the pace of a hip hop beat.

Madonna in this exact pink lace corset ball gown, gloves, jacket and boots, starts a dramatic performance: she sways and dances with powerful, theatrical energy like a Confessions Tour stage show, arms gesturing expressively, body moving with confidence

Use one frame from a 6x6 grid image as the starting frame, referencing sequentially from top-left to bottom-right, to generate a flowing anime character dance video. Do not include the grid image itself in the generated video; show a scene of one character dancing.

A space crew continues their adventures in simulation holodeck they walk through a black-and-gold grid room and the floor beneath them warps step by step into a dusty Old West street — cool digital light melting into warm sunbaked wood and sandstone. grid room to old west, walking transformation, glowing circuitry lettering, saloon reveal, digital-to-analog shift, cinematic sci-fi western

Redfish tailing in the calm water. A butterfly lands on a beautiful sea flower. Lighting strikes in the distance and a fog full of monsters rolls in.

Convert this image to a 1:1 square aspect ratio. Keep the core subject (the glowing skull candle) prominent and well-framed with smart recomposition or cropping. Maintain the original artistic style, lighting, colors, details, quality, and composition...

Make this image into her wearing same outfit and a blue vail in her hair the riding a camel with music Tinariwen in the background delete the picture keep the part where she is riding stoand ,eliminate the dialogue why is riding backwards put Tiwhyye...

Create a continuous 15-second cinematic exploration beginning from this exact image. No cuts. The alien does NOT walk, fly, or move like a human. 0–3 seconds: The camera slowly approaches the alien from behind. It remains almost motionless, overloo...